Being a fan of both comics and character-driven fiction, Michael Chabon’s novel The Amazing Adventures of Kavalier and Clay was right up my alley. I found it to be quite enjoyable and thought it did a good job of integrating the fictional comic character, the Escapist, and its fictional creators into reality.
But when I heard that Dark Horse was planning on doing actual Escapist comics, I wasn’t sure what to think. I got the somewhat overpriced trade paperback collecting issues one and two, and read it this weekend. The stories are written by the likes of Chabon, Kevin McCarthy, and Glen David Gold (whose novel Carter Beats the Devil I liked as much as, if not more than, Chabon’s), and drawn by Kyle Baker, Eric Wight, and others.
I was right to be wary of this project. On the one hand, the idea of making the actual comics seemed cheap and gimmicky to me, as well as unnecessary. Anyone who knew comics could see exactly what was written about in the book. After all, it’s not like the comics Chabon describes are so otherworldly that no one could really get their minds around them. Though the idea of the Escapist, his origin, and the multiple layers on which he works are all very good, one didn’t need to see the actual panels for the metaphor to work. Mechanically, we’ve all seen it, whether it was old Whiz comics, Superman comics, or Captain America comics. If one didn’t have any idea how an Escapist comic might look, then I doubt they finished the book or picked up this collection.
The move also seemed a bit like pandering to me, in a way. “Here you go, comics fans…as your reward for reading a book without pictures, you get a comic book based on it!” I can’t explain why that is. But think of the movie Galaxy Quest. If, after the movie, they decided to actually go back and do a series based on the series in the movie, well, that’s rather redundant, isn’t it? And misses the whole point of the pastiche, homage, spoof, whatever you want to call it.
But there was a way that Escapist comics could go that in my mind wouldn’t have been redundant. Sadly, this isn’t it. For one thing, despite all the faux-comics-history trapping within the book, very few of the stories read like anything other than modern day post-Watchmen ironic superhero tales. And none of them look like anything done before the 80s. What I would have loved to see would be “reprints” that actually looked like the products of their eras, not modern day stories unsuccessfully masquerading as something else. Perhaps, with things like Alan Moore’s (you knew he’d get mentioned) 1963 series for Image, or the current Big Bang Comics, this sort of thing would also be trite, but there was a real chance here to escape from the leaden drudgery of modern day superhero comics and allow people to rediscover the joy of comics that were allowed to be amazing.
I don’t want it to seem like I just dislike the collection because it’s not what I wanted it to be. But taken on its own merits, there’s little to praise here. The stories are trite, predictable, and pedestrian, with only Gold’s story really doing anything interesting. The manga entry is based on an interesting idea, but even I, with my rank amateur experience with manga, could immediately identify about five different things that destroyed the illusion of looking at an actual manga (not counting the fact that the entire 10-page story seems to summarize what allegedly went for a thousand pages according to the text). In short, the collection can’t decide what it is, despite my expectations. On the one had it pretends to be an ersatz collection of Escapist stories culled from the many different eras of the character, yet few of the stories emerge as anything other than decidedly average examples of current comics. On the one hand it seems to want to evoke a definitive history of the character, yet stuff like “The Escapegoat” throws a wrench into this idea while providing no benefit, as though it’s there to only sabotage the project. I’d say that this seems like a project where everyone else had a great time but forgot to make sure the reader did as well, except that it doesn’t even seem like they enjoyed it. For a character from a book about the incredible golden age of comics, we’re given dull, lifeless, joyless stories to look at.
If you enjoyed Chabon’s book, you’ve already gotten your money’s worth. I would take the $17.95 for this collection and instead apply it towards some good Marvel Masterworks volumes, or DC Archives, or something of that ilk. Rather than seeing this age of comics filtered through a few different people (and unnecessary lenses of cynicism and “realism”), go straight to the source.