And Yet For Some Reason I Always Look Forward to the Next Issue
It’s always nice when Previews includes a little extra bonus, like a trading card or something. They make excellent bookmarks. This month you get this beautiful art print, suitable for framing:

“You call that Intelligent Design? Boobs and asses should be on the same side!”
But please, despite the air of class and sophistication exuded here, it’s just Previews. Dress is still casual.
Let’s begin!
The Umbrella Academy (p. 22) - God help me, I’m interested in a book written by a dude from My Chemical Romance. Fortunately I’ll wait for the trade, which should be time enough to see if it’s still worth getting then.
Serenity: Those Left Behind (p. 32) - This hardback collection features “behind-the-scenes” material, which would probably be a bigger draw if more people had been interested in the “in-front-of-the-scenes” material.
Lobster Johnson: The Iron Prometheus (p. 34) - OH HOLY HELL YEAH. One more Hellboyverse trade it’ll kill me to wait for!
John Norman’s Gor Omnibus vol 1 (p. 46) - “with a global audience that reaches across all age groups and demographics”. Where “all” = “misogynistic geeks”.
The Kurosagi Corpse Delivery Service vol 5 (p. 54) - I gotta get caught up with this one. I haven’t even gotten volume 3 yet, but because I’m so behind on my other manga I don’t feel justified buying it just to stick it in the pile. OH LIFE IS HARD.
Eden vol 9 (p. 55) - One of the aforementioned manga series I’m behind on. In fact, I think I’m probably NOT going to order this one. I need to catch up first and see if I’m still interested in continuing before getting it.
Showcase Presents: The Metal Men vol 1 (p. 85) - The Metal Men volume is a must-get, but I can pass on the Atomic Knights/Hercules one.
All Star Batman and Robin, the Boy Wonder #7 (p. 86) - Just a heads up that this will be coming out within the next year or so.
The Spirit #10 (p. 98) - After lamenting that I shoulda waited for the trade so as to have a nicely bound collection, I continue to buy the floppies. That’s because I’m stupid.
Girl Genius Omnibus Edition (p. 226) - This looks like a nice edition of a good comic series. I’ve been meaning to catch up on these.

Laika (p. 302) - I’m really looking forward to this from First Second, even though I don’t know much of anything about it. It’s about the first dog in space and it’s from First Second, which has yet to fail me.
Antiques: The Collected Comic Strip (p. 304) - Does anyone know anything about this? I’ve never heard of the strip in question, but the premise seems interesting: A billionaire dies, and his collection of pop-culture artifacts goes up for auction, attracting “a colorful cast of interested parties who are not what they seem.”
Wasteland #12 (p. 328) - Sims got another pull quote, so I’m behind. Let me think here. “Without ‘Wasteland’, ‘awesome’ would just be ‘om’.” Okay, maybe not.
Tales to Demolish (p. 337) - I ordered the first issue of this. I’ll go ahead and grab the second just because it’s from a small publisher, but I hate having to order issue 2 before I know anything about issue 1.
You need to know about Star Wars Chubbies. I did a Google Image Search for “Star Wars Chubby” and here’s what I got:

Well, that’s the first image. Hang on, let me got further through the list. Here we go:

Yes, after beanies, wind-ups, and bobbleheads, meet the newest collecting sensation, Russian Nesting Dolls. What won’t geeks buy?

WAIT DUDE DON’T FORGET ME! VROOM VROOM!
And let’s close the show with this:

Man, I got far too many jokes to pick from.
For making it through all this, you get a laff from the latest Showcase Presents: Batman:

IF ONLY THERE WERE A HITTABLE TARGET WITHIN ARM’S REACH!


The Three Paradoxes by Paul Hornschemeier. (Fantagraphics Books) I’m not as familiar with Hornschemeier’s work as I should be; I’ve only read Mother, Come Home, but that is probably his most well-known work. I liked that well enough to order this back when it was first solicited. The three paradoxes are Zeno’s famous paradoxes, which allegedly prove that motion cannot exist. And for the main character, Paul, motion seems, if not impossible, at least very difficult. He is stuck: stuck at home, stuck in the past, stuck on a comic strip he’s drawing, stuck when it comes to simple conversation. The book itself moves very little; even at the end the forward motion is minimal. As such, it becomes a sort of meditation on stuckness (and literally; Paul’s father uses meditation — repeated recitation of the same mantra — to achieve peace.) I don’t know or care how autobiographical the work may be, but it’s worth noting that it was originally solicited about a year ago.
First in Space by James Vining (Oni Press). Monkeys. Space Travel. Two great ideas that should always be combined, and in the late 50s, America was hard at work trying to create the first monkey space traveller. Granted, they had a further goal, something about man on the moon blah blah blah, but this book is the true story of Subject 65, a/k/a Chang, a/k/a Ham, the first monkey in space. I found it to be a delightful read with a very appealing chunky art style. The story is interesting, well-paced, and exciting, and the characters — especially the monkey — are well-defined. It’s recommended for ages 7 and up and I totally agree; it’s an “all-ages” book that really does have appeal to all ages. I’m very much looking forward to James Vining’s future projects, if they’re as well-done as this one.
The Professor’s Daughter by Joann Sfar and Emmanuel Guibert (First Second). A lovely young lady is walking through Victorian London with a mummy. You’d think this is a premise I couldn’t pass up and yet, unbelievably, I did, when I first saw it solicited. I don’t know why, as I like Joann Sfar’s work, I’ve been impressed with everything I’ve read from First Second, and there’s a mummy. And yet, I passed on it. And then the reviews came in and everyone couldn’t stop talking about how great this book was, so when I picked up my comics I substituted it for another book I’d ordered that didn’t get such great reviews (no names here, I’m a gentleman.) Thank goodness I did. This is a wonderful book. Will Lillian and Imhotep IV be able to have a lasting relationship? Will her father come between them? And if not, what of the murder, kidnapping, jailbreaking, and so forth? Will that cause a problem? Will we have to get Queen Victoria involved to sort this all out? This book is going to be on many a “Best of the Year” list, mark my words.
Exit Wounds by Rutu Modan (Drawn + Quarterly). In Tel Aviv, a young man named Koby learns from a woman soldier named Numi that his father may have been killed in a suicide bombing. Whether or not he was is only the first mystery. How does Numi know Koby’s father? And how does Koby feel about this, given that his relationship with his father isn’t so hot? I really liked the book’s nonstandard take on relationships — too often in American culture we’re told that family is of paramount importance, and the relationship between father and son is a special, unbreakable bond. Exit Wounds examines these ideas critically, and the result makes for a powerful read. It’s especially interesting set against the brightly-colored, Tintin-esque artwork. This is another one that you’re going to see on a lot of “Best of” lists.
The Aviary by Jamie Tanner (AdHouse Books). Here’s what the solicitation copy reads: “Enter the strange world of the Quiet Bird-Man; a world of mysterious corporations, foul-mouthed robots, drunken ghosts, amputee comedians, wealthy simian pornographers and canine scientists; a world of disasters, murders and masquerade balls.” And yes, all of that is in here, combined into a richly textured book. It’s a series of vignettes, and at first you’ll think that the whole point is just weird, absurdly humorous, pointless tales, but eventually they all start to fit together into a whole. (Which is not to say the whole isn’t weird and absurdly humorous as well.) The feeling as it all unfolds around you is delightful. It’s one of those books where as soon as you finish it, you immediately want to read it again, now that you know.
I Shall Destroy All the Civilized Planets! by Fletcher Hanks (edited by Paul Karasik) (Fantagraphics Books). Wow, just…wow. How to begin? Okay, Fletcher Hanks was this dude who made comics back in the early 40s. About as Golden Age as you can get. He’s not overly well known and his stuff hasn’t been saved much, but some exists. And that stuff: it’s just…wow. His art is dynamic and grotesque, with human proportions that would make even Michael Turner go “Wow, that body is WAY out of proportion.” His two main characters, Stardust the Super Wizard and Fantomah the Jungle Beauty have identical powers — they’re utterly omnipotent. There is absolutely no tension whatsoever in the stories and no doubt that the heroes will show up and torture, imprison, or outright kill the villains. (And yes, being the Golden Age, these beings with Godlike powers spend their time fighting criminals in three-piece suits, though to give Stardust credit, he does take on 300,000 of them at once.) sometimes they take their sweet time doing it, too. In one story Fantomah happily lets New York City be reduced to rubble before coming in and stopping the perpetrators and then leaving, having done nothing to help restore the city. As a bonus, there’s a piece at the end where the guy who compiled these strips, Paul Karasik, tells what he knows about Fletcher Hanks and how he found it out — and there’s a very good reason it’s at the back of the book. That piece alone says a lot about comics fans. This is another one I originally passed on and then ended up getting based on glowing reviews, and I’m immensely glad I did.





























